Backstage

Hosanna Was Never a Cheer

Zev Inspire

Ask most people what Hosanna means and you will get a shrug and a smile. It is a happy word, a Sunday word, the kind of thing a choir shouts with lifted hands. Somewhere along the way it drifted into meaning something like hurray for God — a cheer, a note of pure celebration. We have painted it on banners and sung it over swelling chords, and it has come to sound like victory already won.

It is not a cheer. It never was.

Hosanna is a lightly worn-down Greek spelling of two Hebrew words: hoshia na. The first, hoshia, is a form of the verb yasha — to save, to rescue, to deliver. The second, na, is one of the most human particles in the whole language, an untranslatable little breath that turns a statement into a plea. We approximate it with please, or I beg you, or now — but it is really the sound a voice makes when it is past politeness. Hoshia na is not "hurray." It is "save us — please — now." It is what you scream, not what you sing at leisure. The crowd on the road into Jerusalem was not celebrating a victory. They were begging for one.

The line they were quoting

To feel what was happening on that road, you have to know that the people were not making up their words. They were quoting a song they had known since childhood — Psalm 118, the last of the six psalms that make up the Hallel, the great praise-hymn sung at Israel's festivals. Every Passover, every feast, these words filled the courts. And near the climax of that psalm comes the line: Save now, we beseech You, Yahuah; Yahuah, we beseech You, send prosperity. Right after it: Blessed is he who comes in the name of Yahuah.

So when the crowds tore branches and threw down their cloaks and shouted Hosanna and Blessed is he who comes in the name of the Lord, they were not improvising a fan chant. They were singing the festival psalm at the top of their lungs and aiming it, for the first time, at a specific man riding a specific donkey. They took the ancient cry for rescue — a cry the whole nation had shouted into the air for centuries, into occupation and empire and exile — and they pointed it, all at once, at Yeshua. Save us. Now. You. This is the one the psalm was waiting for.

That is a very different scene than a parade. It is a nation's oldest, rawest prayer suddenly finding an address.

The branches were part of the prayer

Notice the branches too, because they are not decoration. At the feast of Sukkot — the autumn harvest festival — Israel was commanded to take up branches and rejoice before Yahuah for seven days. Over the generations a beautiful practice grew up around that command: worshipers would carry bundles of palm, myrtle, and willow, wave them toward the four directions, and process around the altar chanting hoshia na, save now. On the seventh day — a day that came to be called Hoshana Rabbah, the Great Hosanna — they circled seven times, waving and pleading, and beat willow branches against the ground until the leaves fell. (The command to take up branches is in the Torah; the seven circuits and the beaten willows are later tradition built lovingly on top of it.) For centuries, then, hosanna and waving branches belonged together in the Jewish imagination. They were the sight and sound of a people crying out for salvation with their whole bodies.

So when a crowd meets Yeshua on the road and instinctively grabs branches and starts shouting hoshia na, they are not inventing a gesture. They are reaching for the deepest muscle memory their worship had — the branch-waving, altar-circling, save-us-now cry of the festivals — and doing it, without fully understanding, over the head of the man they hope is finally the answer. Their hands knew the liturgy before their minds knew who He was.

The stone they were standing on

There is one more line hidden in that same psalm, and it turns the whole scene inside out. A few verses before the hosanna comes this: The stone the builders rejected has become the chief cornerstone. This is Yahuah's doing, and it is marvelous in our eyes.

The crowd shouting for rescue did not know they were quoting, in the same breath, the psalm's own warning that the one who saves would first be thrown away. They wanted a rescuer who would ride in and overturn Rome by Friday. What they got was a rescuer who would be rejected by the builders — the very leaders standing in the temple that week — and lifted up not on a throne but on a cross, becoming the cornerstone of something they could not yet see. Their prayer was answered. It was simply answered in a shape their eyes were not ready for. Save now was granted. The saving just went deeper than the day's crisis, down to the crisis under all the others.

Say it like you mean it again

I love that we still sing Hosanna. I only want us to stop singing it like a cheer and start singing it like a prayer — because that is what it is, and that is what makes it good news.

A cheer is for something already won by somebody else while you watch. A prayer is for something you need and cannot get for yourself. When you sing Hosanna honestly, you are not congratulating God on a distant triumph. You are the tired crowd on the dusty road, out of options, throwing your coat in the mud, waving whatever is in your hand, and putting your whole hope on one Person: Save us. Please. Now. You. It is the confession that you cannot rescue yourself hidden inside the shape of praise — which is exactly why it does not sound like defeat. It sounds like joy, because the One you are begging has already turned toward you and is, at this moment, coming up the road.

That is the secret buried in the word. Hosanna is a cry for help that has already begun to sound like celebration, because the Helper is in view. You are still begging save now — but you are begging it at someone whose name means Yahuah saves, who is close enough that the wind off His passing stirs the branches in your hands.

So sing it. Not as hurray, but as the honest, desperate, hopeful prayer it always was. Hoshia na. Save now. And know that the road you are shouting it down leads all the way to a cornerstone the builders threw away and God set at the center of everything.

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